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As the Wimbledon 2017 finals approach this weekend, it’s the time of year to revisit the annual debate: to grunt or not to grunt?
One of the areas in which the IOA is doing a great job is in explaining to the world that acoustics is more than just musical or architectural in nature.
This autumn saw the Musical Instrument Scrapheap Challenge for first year students studying the acoustics MEng at the University of Southampton.
The ancient Celtic pagan festival of Samhain was a time in which the doorways between the spirit-world and ours were thought to be traversed by dead souls
It is well accepted and understood that acoustics is the physical underlying phenomenon and vehicle of music production, performance and composition.
We live in a technological world. Everywhere we go we can summon the power of technology to help, inform or entertain us.
Whilst it’s not often I buy a textbook based on a catchy title, Robert Apfel’s “Deaf Architects & Blind Acousticians” is one that has always stuck in my mind.
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