Reproduced Sound 2022 – Contents

1. Standing on the Shoulders of Giants: Glenn Leembruggen, Acoustic Directions, Australia 

2. Multi-domain analyses of acoustic room correction systems: Prathmesh Thakkar, GP Acoustics (UK) 

3. Acoustic design and performance of a non-environment control room for recording and teaching: Glenn Leembruggen, Camille Hanrahan-Tan, Osborn Fong, Acoustic Directions, Australia 

4. Loudspeaker Matrix Arrays: Challenging the way we create and control sound: Evert Start, HOLOPLOT, Germany 

5. Listener preference of reverberation in the post-production of live amplified music recordings: Ken Liston, Nottingham Trent University 

6. Virtual bass expansion for cross-talk cancellation systems: Ben Scott, Daniel Wallace, Marcos Simon, Roberto Grilli, Davi Carvalho, Filippo Fazi,  University of Southampton 

7. Analysis of complex-valued neural networks for audio source localisation: Vlad S. Paul and Philip A. Nelson, University of Southampton 

8. The Arup Experience Lab: Calum Ferreira, Arup Acoustics 

9. Hearing degradation - a personal account: Philip Newell, Consultant 

10. Using cognitive psychology and neuroscience to better inform sound system design at large musical events: Jon Burton, University of Derby 

11. Loudspeaker simulation vs. measurement: Validating matrix array electro-acoustic models: Mert Aslantürk and Evert Start, HOLOPLOT, Germany 

12. Metric based development of acoustic lenses and waveguides: Lewis MacDonald, University of Salford 

13. A critical analysis of sound level monitoring methods at live events: Adam Hill, University of Derby; Jos Mulder, Australian National University, Australia; Jon Burton, University of Derby; Marcel Kok, dBcontrol, The Netherlands; Michael Lawrence, Rational Acoustics, USA 

14. Comparison of SPLmax using AES75 and multitone distortion (MTD) methods: James Hipperson, Funktion One