A A A Volume : 44 Part : 2 Influence of Environmental Sensitivity and Noise Sensitivity on Soundscape Evaluations in Urban Open Public Spaces Weifu Gao 1 School of Architecture, Tianjin University 92 Weijin Road, Nankai District, Tianjin, 300072, China Jian Kang 2 Institute for Environmental Design and Engineering, The Bartlett, University College London Central House, 14 Upper Woburn Place, London, WC1H 0NN, United Kingdom Hui Ma 3 School of Architecture, Tianjin University 92 Weijin Road, Nankai District, Tianjin, 300072, ChinaABSTRACT In this study, the effects of individuals' environmental sensitivity and noise sensitivity on soundscape evaluations were examined through experiencing the audio-visual environments of various urban public spaces in a laboratory setting. The participants, 19–36-year-old college students and staff with normal hearing (N = 60), experienced 12 common urban open space scenarios (parks, squares, pe- destrian streets, and residential public areas) for at least 3 minutes each, and completed the ques- tionnaire, which consisted of two parts: 1) soundscape evaluations, which included the 8-dimensional perceived affective quality, overall quality, appropriateness, and perceived loudness of urban sound- scapes; and 2) personal characteristics, including the Highly Sensitive Person Scale (HSPS) and Weinstein’s Noise Sensitivity Scale (WNSS) for comparison. The results showed that people with higher environmental sensitivity tended to experience soundscape more pleasant and calm, while no significant effect of noise sensitivity was found for the soundscape evaluations, and a moderate cor- relation between environmental sensitivity and noise sensitivity was also revealed. 1. INTRODUCTIONOpen public spaces are the most commonly utilized outdoor leisure facilities in cities, and the quality of the sound environment in these areas may have a considerable impact on people's psycho- logical and even physiological responses. While previous research has concentrated on the negative effects of noise on people, the soundscape concept had shifted the research focus to the positive ef- fects of the sound environment on people, with an emphasis on the interpretation of the surrounding sound environment from a human perception perspective [1-5].1 gwf@tju.edu.cn2 j.kang@ucl.ac.uk3 mahui@tju.edu.cnpriser coro BSE DODD re Meanwhile, research on individuals' perceptions of outdoor urban sound environments has re- vealed significant differences, for example, soundscape pleasantness and eventfulness, etc [6,7]. To quantify these differences, researchers frequently use the "noise sensitivity" scale, which was estab- lished to assess people's vulnerability to various types of noise [8,9]. However, noise sensitivity does not explain as much variance in population perception as predicted in urban contexts with high acous- tic quality [4,10-12].Environmental psychology research has discovered that individuals also differ in their degree of sensitivity to positive environmental stimuli, a phenomenon termed "vantage sensitivity" [13]. Though researchers had developed environmental sensitivity measures that incorporate this vantage sensitivity named the Highly Sensitive Person Scale (HSPS) [14], few studies have been conducted in the field of soundscape to examine the relationship between this environmental sensitivity and the perception of high-quality acoustic environments. Whether HSPS can explain the differences in the perception of positive soundscape or not is still uncertain, and how environmental sensitivity relates to noise sensitivity is also a question.The purpose of this study is to determine whether environmental sensitivity and noise sensitivity have an effect on soundscape evaluations in urban open public spaces and to verify the correlation between these two factors.2. METHODSIn this study, laboratory experiments were conducted in which participants perceived a series of reproduced soundscape contexts and completed subjective evaluations. The experimental exposure settings included both auditory and visual stimuli. After the entire soundscape evaluation process, participants were required to complete a personal characteristics questionnaire.priser coro BSE DODD re2.1. ParticipantsA total of 60 participants (34 males and 26 females) ranging in age from 19 to 36 years (mean: 25.17, SD: 3.36) were recruited, and all participants reported they have normal hearing and eyesight.2.2. Audio-visual StimuliFigure 1: Views of the 12 soundscape contexts To investigate the different perceptions of soundscapes in urban open public spaces by people with different environmental sensitivity, we chose 12 frequent scenes from the Tianjin urban area that represented a diversity of morphological functions and sound environments (see Figure 1). The scenes included 1) Central Park, 2) Marco Polo Square, 3) Quanyechang Square, 4) Minyuan Square, 5) Canal Park, 6) Shuixi Park, 7) a lakeside square in Shuixi Park, 8) a public garden in a residential area, 9) a pocket square in a residential area, 10) Haihe Park, 11) a commercial street, and 12) a pocket square by the road. The dominant sound sources and sound pressure levels of the background sound in each scenario are shown in Table 1. The classification method of dominant sound sources is based on ISO 12913-2, those are traffic noise (cars, buses, trains, airplanes, etc.), human sounds (conversa- tions, laughter, children playing, footsteps, etc.), natural sounds (birds, water, wind, etc.), and other noises (sirens, construction, industry, etc.).The visual data was captured using a Canon 5D camera, while the auditory data was recorded using a Sennheiser AMBEO four-channel VR microphone and a ZOOM F6 portable four-channel recorder with a panoramic sound a-format first-order format. Additionally, 3 minutes A-weighted equivalent sound pressure level were measured for calibration in laboratory reproduction using a Norsonic 140 sound level meter. Table 1 Descriptions of 12 experi m ent al audio-visual stimuliID Site Dominant sound sources L Aeq, 3min(dB) 1 Central Pa rk Human, Traffic 59.7 2 Marco Polo Squar e Human, Natural 67.5 3 Quanyechang S quar e Human 78.0 4 Minyuan Squ ar e Human 72.8 5 Canal Par k Natural, Traffic 63.4 6 Shuixi Park Natural 49.3 7 A lakeside square in Shui xi P ark Natural, Human 47.3 8 A public garden in a resi dent i al area Natural, Other 53.5 9 A pocket square in a resi d ent i al area Other 50.6 10 Haihe Par k Natural, Traffic 57.4 11 A commercial st r eet Human, Traffic 63.4 12 A pocket square by t he r oad Traffic 63.32.3. QuestionnaireThe subjective evaluation questionnaire is divided into several sections: Section 1 consisted of eight-dimensional items on the perceived affective quality of the acoustic environment as recom- mended by ISO 12913-3. Sections 2, 3, and 4 were comprised of the overall acoustic environment assessment, the evaluation of audiovisual appropriateness of scenes, and the loudness of the overall environment. Section 5: The Environmental Sensitivity Scale was developed by Aron et al. based on the 27-item Highly Sensitive Person Scale [14]. The scale contains the more comprehensive meas- urement dimensions of environmental sensitivity, such as vantage environmental sensitivity, and is thus commonly used in environmental psychology research [13]. Section 6 is the simplified Chinese version of Weinstein’s Noise Sensitivity Scale with 15 items [15].priser coro BSE DODD re 2.4. ProcedureParticipants were required to experience twelve audiovisual stimulus scenes in a random order, and each scene was presented for three minutes. The videos were shown in high definition using a JIMI projector, and the ambient sound was reproduced using four loudspeakers (Genelec 8030C) in a semi-anechoic chamber. After each scene began to play, they were asked to experience the scene fully first, and then they were asked to complete Sections 1 through 4 of the questionnaire with no time limit. The audiovisual stimuli were repeated until the end of this current set of evaluations. When each scene evaluation was completed, participants took a one-minute break and then started the next set of evaluations. After evaluating the soundscapes of all scenarios, participants were given a 5- minute pause before being asked to complete Sections 5 and 6 of the survey, which focused on per- sonal characteristics and included the HSP and WNS scales. The whole experimentation process took around 45 minutes. 3. RESULTS AND DISCUSSIONS3.1. Effects of Environmental Sensitivity on Soundscape EvaluationsIndividuals were classified into high- and low-environmental sensitivity groups based on the me- dian of HSPS scores. Then a series of independent sample t-tests were conducted to assess whether there were statistically significant differences in soundscape evaluations between the low and high sensitivity population groups.In the group analysis of the HSPS scores, the mean value of the pleasant dimension for the high environmental sensitivity group (M = 3.35, SD = 0.42) was significantly greater (p < 0.05) than the mean value for the low environmental sensitivity group (M = 3.11, SD = 0.44); and the mean value of the calm dimension was 2.78 (SD = 0.27) for the high environmental sensitivity group and 2.60 (SD = 0.33) for the low environmental sensitivity group, there were also significant differences be- tween the two groups in the evaluations of calm dimension (p < 0.05) (see Figure 2). For the other perceived affective dimensions, overall quality, appropriateness, and perceived loudness, no statisti- cally significant differences (p > 0.05) were observed between the two groups. For a comparison of mean values, see Figures 2 and 3.priser coro BSE DODD re priser coro BSE DODD reFigure 2: Mean scores of the soundscape dimensions by environmental sensitivity group (* p -value < 0.05 for independent sample t -test, error bars: 95% CI)Mean Value Group BBHigh Environmental Sensivity How Environmental Sensitivity Chaotic | monotonous calm Vibrant Annoying Uneventiul Pleasant Eventful ‘Soundscape dimensionsFigure 3: Mean scores of the overall acoustic environment assessment by environmental sensitivity group (error bars: 95% CI)3.2. Effects of Noise Sensitivity on Soundscape EvaluationsSimilarly, on the basis of the median of WNSS scores, individuals were divided into high- and low-noise sensitivity groups. Independent sample t-test for the mean value of each evaluation itemMean Value Group [BHigh Environmental Sensitivity HlLow Environmental Sensitivity Overall quality Appropriateness Perceived loudness Overall acoustic environment assessment for both groups showed there were no significant variations in any of the evaluations reported (p > 0.05). The mean values are shown in Figures 4 and 5.priser coro BSE DODD reFigure 4: Mean scores of the soundscape dimensions by noise sensitivity group (error bars: 95% CI)Mean Value g Chaotic Annoying Group [BHigh Noise Sensitivity EELow Noise Sensitivity Calm Vibrant Uneventful Pleasant Eventful Soundscape dimensionsFigure 5: Mean scores of the overall acoustic environment assessment by noise sensitivity group (error bars: 95% CI)Mean Value. 4 ¢ Group igh Noise Sensitity Blow Noise Sensiy Overall acoustic environment assessment 3.3. Relationship Between Environmental sensitivity and Noise SensitivityThe chi-square test of independence was conducted between the environmental sensitivity and noise sensitivity groups, χ 2 (1) = 3.223, p = 0.073. A moderate association was presented between these two factors, Cramer’s V = 0.232, indicating that the two components have some similarity in their assessment content.When the evaluation results of different environmental and noise sensitivity populations were compared, it appeared that environmental sensitivity had a higher predictive value in the experimental results. The noise sensitivity, on the other hand, had no significance in explaining the differences in soundscape evaluations, which was different from the findings of previous studies[8].One explana- tion might be that noise sensitivity is a measure of people's sensitivity to negative environmental stimuli. Literature has reported better predictive significance of noise sensitivity only when responses to environmental noise are involved [16]. However, due to the fact that the 12 experiment scenarios in this study were more oriented toward outdoor spaces conducive to relaxing and that the acoustic environment was of a comparatively high quality, environmental sensitivity measurement would be more appropriate for such scenarios because it included a measure for sensitivity to the positive, vantage environmental stimuli. 4. CONCLUSIONSThis study determined the effect of environmental sensitivity and noise sensitivity on the sound- scape evaluations in urban open public spaces. It was found that people with higher environmental sensitivity tended to rate the pleasant dimension and the calm dimension higher, while no significant differences were found between the groups with different noise sensitivity for any soundscape eval- uations. Additionally, a moderate correlation was revealed between environmental sensitivity and noise sensitivity. These findings might be used when consideration needs to be given to the diverse requirements of various communities in urban planning. 5. ACKNOWLEDGEMENTSThis work was supported by the National Natural Science Foundation of China (Grant Agreement No. 51978454) and the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation program (Grant Agreement No. 740696, project title: Soundscape Indices— SSID). The authors gratefully acknowledge the kind support of all the participants. 6. REFERENCES1. Kang, J., Aletta, F., Gjestland, T. T., Brown, L. A., Botteldooren, D., Schulte-Fortkamp, B., ... & Lavia, L. Ten questions on the soundscapes of the built environment. Building and Environment, 108(1), 284-294 (2016). 2. Erfanian, M., Mitchell, A. J., Kang, J., & Aletta, F. 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